Peachtree Industrial
Bessie Harvey, Jane Fox Hipple, Chloé Elizabeth Maratta, Josh Minkus, Jiha Moon, Saige Rowe, Lily van der Stokker
Curated by Species
June 24 - August 6, 2016

press release
AQNB review
Artviewer






Josh Minkus
Lipe (tabloid), 2016
Dibond, silicone, lead, mdf, paper, zinc, wire, grass, pex pipe, wood, cotton knit, leather, porcelain socket, poly bag, plaster, cement
36w x 30d x 12h in.


Jane Fox Hipple
Thought Pivot (the analyst), 2014
Acrylic on wood and canvas with nails
23w x 31.5h x 2d in.


Jane Fox Hipple
site, 2015
Oil on plaster and wood with rebar and steel
5h x 55w x 9.5d in.


Lily van der Stokker
Believe it or not, really at Snoei, 1992
Marker on paper
8.25w x 11.75h in.


Lily van der Stokker
Artdoctor, 2007
Colored pencil on paper
16.5w x 11.8h in.


Chloé Elizabeth Maratta
No Good Only My Good, 2016
Poster print on panel, collage, t-shirt, leather scraps, sand
24w x 36h in.



Saige Rowe
three short physical movements followed by a general lull, 2016
3:21 minute video



Jiha Moon
Sirena Verde, 2016
Earthenware, glaze, underglaze, synthetic braided hair, human hair, plastic beads, thread and pink quartz
12w x 12h x 4.5d in.


Jiha Moon
YouandI Erin, 2016
Earthenware, glaze, underglaze, hand knotted synthetic braided hair, pony beads, metal bells and thread
27w x 6h x 5.5d in.


Jiha Moon
BROD (Blue and Red Onion Doll), 2016
Porcelain, glaze, underglaze, synthetic braided hair, Hanji thread, Hanji beads and thread
7.5w x 10.25h x 5.5d in.




Bessie Harvey
Bupe, 1983
Paint, glitter, doll eyes, and synthetic hair on found wood
15.5w x12.5h x 7.5d in.


Bessie Harvey
Untitled (Root Face), 1980s
Paint, cowrie shells, glue, and beads on found wood
22w x 19h x 21d in.


Lily van der Stokker
Soft, Tidy, 2014
Acrylic paint on wood panel, toilet paper roll
19w x 14.5h x 6.75d in.


Jiha Moon
Happy, 2015
Porcelain, wire, hand knotted synthetic hair, tie-dyed cotton, found object
9w x 26h x 2d in.


Peachtree Industrial brings together the work of seven artists, linked in a shared commitment to the private civic lives where their work and world-making takes form. For what it's worth, we [Species] have constructed our civic world so far in places where life happens slower and in less familiar trajectories than a life here in New York City. Those geographic, temporal specificities have led us to meet the artworks in this show, and when lucky, their makers.

First in Oakland, California, where we met the work of Josh Minkus, who makes inventories of small sculptures from found and made bits, akin to list poems, and then Chloé Elizabeth Maratta who chronicles the anti-aesthetic fashions and accessories of her life touring as part of the music duo Odwalla88 in carefully decoupaged digital photographs. And how else to meet artwork outside of center but through that ever-helpful looking glass of the screen—this is where we met and fell in love with the cloyingly Seussical work of Dutch artist Lily van der Stokker, whose predilection towards the curlycute&clean borders on diabolical—resulting in a sort of pediatric waiting room of an art practice.

And then we moved to Atlanta, Georgia, where we were welcomed by Jane Fox Hipple, whose ironpurpley-pink paintings and sculptures make for queasy inner-bodily and inter-body abstractions, Saige Rowe and her earnest, matter-of-fact video vignettes often awkward and funny and sharp at the same time, and Jiha Moon with her discombobulated matrices of culturally divergent signs and materials. Also in the South we have been thrilled to meet the phenomenal work of Georgia-born Bessie Harvey, who is just one in a legacy of so many under-regarded Southern self-taught artists whose works have been the quiet precursor to so many contemporary artists. The sculptures on display are only a small fraction of her artistic output which began in 1972 at the age of 53 and continued as a religious, artistic, and therapeutic communion with the souls of found roots and trees until her death in 1994.

As Species, and as two artists, we present in the form of an exhibition, a calendar of practices we have been inspired to meet thus far. Consider it an anti-logical proposal for living outside of the center of it all: a little pastoral, a little informatic, quietly wild but sweet.

Love,
Erin and Jason

Species is an exhibition space based in Atlanta organized by the artists Erin Jane Nelson and Jason Benson.

© 2010-2017 Bodega